首页|克制与突破:苏轼涉泪词"以诗为词"的艺术实践

克制与突破:苏轼涉泪词"以诗为词"的艺术实践

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"以诗为词"是苏轼重要的词学观念。通过对其涉泪词的研究,可以发现苏轼"以诗为词"的词学观在具体实践中呈现出克制与突破并存的矛盾形态。一方面遵循词体特性,在扩充题材内容的同时选用了典雅字词和含蓄表达;另一方面又有意突破传统,具体表现为使用"泪典"、采用流线型意象组合、净化艳情词。由此可见,苏轼对词体特质有着清晰的认知,其"以诗为词"是有限度地将诗的题材、风格导入词体,而非刻意泯灭诗、词两种文体的界限。
Deliberating and Overcoming:The Artistic Practice of"Regarding Poetry as Ci"in Su Shi's Ci about Tears
"Regarding Poetry as Ci"is an important literary concept of Su Shi.Through the study of his"Regarding Poetry as Ci",it can be found that Su Shi's literary concept of"Regarding Poetry as Ci"presents a complex form of deliberating and overcoming in the concrete practice.On the one hand,Su Shi followed the characteristics of Ci,and chose elegant words and implicit expressions while expanding the content of the theme;on the other hand,he intended to break through the tradition,which was manifested in the use of"with tears",the use of streamlined imagery combinations,and purification of traditional imagery.This shows that Su Shi had a clear understanding of the qualities of the word,and his"Regarding Poetry as Ci"was a limited intro-duction of the subject matter and style of the poem into the word,rather than a deliberate extinction of the boundaries between the two styles of poetry and the Ci.

Su ShiCi about Tears"Regarding Poetry as Ci"

杨宇歌、倪金艳

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首都师范大学文学院,北京 100089

河北师范大学文学院,河北 石家庄 050024

苏轼 涉泪词 "以诗为词"

河北省高等教育教学改革与实践项目(2022)

2022GJJG138

2024

牡丹江大学学报
牡丹江大学

牡丹江大学学报

影响因子:0.14
ISSN:1008-8717
年,卷(期):2024.33(4)
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