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多文化视野下中国早期象征诗派的色彩审美生成

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中国早期象征诗派深受法国象征主义的影响早已成为学界共识,但该诗派的作品并非仅是法国象征主义影响下的产物,日本经过改良化的象征主义及中国传统文化内蕴均在不同程度影响了该诗派对于新诗色彩美及"纯粹诗歌"理念的追求。除外部文化因素影响外,中国早期象征派诗人们本身所具有的艺术家、诗人的双重身份也使得他们有意或无意地追求新诗的色彩美,并通过诗人和画家的双重视界将绘画艺术的表现形式和原则融入诗中,通过色彩来传达自己的艺术构思,使得新诗色彩美最终形成该诗派的一大诗歌特色。
Color Aesthetic Generation of Chinese Early Symbolism Poetry from the Perspective of Multi-culture
It has long been recognized that the early Chinese symbolic poetry school was deeply influ-enced by French symbolism,but the works of this school were not only the product of the influence of French symbolism,but also the reformed symbolism of Japan and the connotation of Chinese traditional culture had dif-ferent degrees of influence on the pursuit of the beauty of new poetry and the concept of"pure poetry".In addi-tion to the influence of external cultural factors,the dual identities of artists and poets of early Chinese symbolic poets also led them to pursuing the color beauty of new poems intentionally or unintentionally,and through the dual vision of poets and painters,the expression forms and principles of painting art were incorporated into po-ems,and their artistic ideas were conveyed through color.The color beauty of the new poetry eventually formed a major poetic feature of the school.

Chinese early symbolism poetrymulticultural visioncolor the poetic

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西北大学文学院,陕西 西安 710127

中国早期象征诗派 多文化视野 色彩诗学

2024

牡丹江大学学报
牡丹江大学

牡丹江大学学报

影响因子:0.14
ISSN:1008-8717
年,卷(期):2024.33(5)
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