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打工电影中的女性农民工形象研究

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在打工电影的艺术化表达中,女性农民工群体大致呈现为三种形象,即被物化的"他者"、乡村传统道德的承载者以及奋斗逐梦的成功者。不同的想象模式映射了影片在性别立场、城乡观念和制作模式上的诸多差异,引发观者思考如何增强女性意识、避免对女性农民工的刻板想象。打工电影应进一步勾勒出传统乡村女性现代转型的复杂现状,有效协调商业和意识形态因素对电影现实性和批判性的干扰,从而拓展影片的思维深度,提升其艺术价值。
A Research on the Image of Female Migrant Workers in Migrant Workers Films
There are three kinds of images of female migrant workers in the artistic expression of the mi-grant workers film,the"other"who is objectified,the bearer of rural traditional morality and the winner who strives to pursue his dream.Different imagination modes reflect the differences in gender stance,urban and rural concept and production mode of the film,causing viewers to think about how to enhance female consciousness and avoid stereotyped imagination of female migrant workers.The working film should outline the complicated current situation of modern transformation of traditional rural women further,reconciling the interference of commercial and ideological factors with the realism and criticality of the film,expanding the thinking depth of the film and enhancing its artistic value.

migrant workers filmfemale migrant workersthe"other"rural traditional moralitymain-stream ideology

胡清波、孙哲卿

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中原工学院,河南 郑州 451191

河南大学,河南 开封 475001

打工电影 女性农民工 "他者" 乡村传统道德 主流意识形态

河南省教育厅人文社会科学研究项目(2024)河南省教育厅人文社会科学研究项目(2022)中原工学院青年骨干教师培养计划

2024-ZDJH-6392022-ZZJH-533

2024

牡丹江大学学报
牡丹江大学

牡丹江大学学报

影响因子:0.14
ISSN:1008-8717
年,卷(期):2024.33(5)
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