首页|影游交融·梦幻镜像·话语权力——《白蛇2:青蛇劫起》的多重空间叙事

影游交融·梦幻镜像·话语权力——《白蛇2:青蛇劫起》的多重空间叙事

扫码查看
国产动画电影《白蛇2:青蛇劫起》作为《白蛇:缘起》的续集,没有被传统神话故事的原型所局限,反而在经典神话的母体上进行陌生化的叙事创新.影片中小白为救许仙而水漫金山,失败后被法海镇压在雷峰塔下,小青却被法海意外打入虚无的修罗城幻境中,凭借强烈的执念支撑她活着逃出去.自20世纪后期电影批评理论出现了电影叙事研究的空间转向,《白蛇2:青蛇劫起》作为一部带有后现代风格的动画电影,不仅在叙事文本上消解了传统神话故事的叙事范式,还在叙事层面开始转向对空间的多重建构.本文将从影游交融、梦幻镜像、话语权力方面入手,运用空间叙事理论探析《白蛇2:青蛇劫起》的空间叙事策略.
Film-Game Integration·Dream Image·Discourse Power——The Multispace Narration of"White Snake 2:Rise of the Green Snake"
As the sequel of White Snake animated film,White Snake 2 is not limited by the prototype of traditional fairy tales,but carries out a strange narrative innovation on the matrix of classical myths.In the film,Xiaobai flooded Jinshan with water in order to save Xu Xian.After her failure,she is suppressed under Leifeng Tower by Fahai.However,Xiaoqing is accidentally put into the nihilistic illusion of Shura City by Fahai,and she managed to escape alive with strong obsession.Since the late 20th century,there has been a spatial shift in film narrative research in film criticism theory.As an animated film with post-modern style,White Snake 2 not only deconstructs the narrative paradigm of traditional fairy tales in narrative text,but also turns to multiple construction of space at the narrative level.This article will analyze the space narrative strategy of White Snake 2 by using the space narrative theory from the aspects of film and game blending,dream image and discourse power.

spatial narrativegamificationmirror imagefeminism

陈矿、黄旭

展开 >

成都大学中国-东盟艺术学院,四川 成都 610106

丽水学院,浙江 丽水 323000

空间叙事 游戏化 镜像 女性主义

2024

牡丹江大学学报
牡丹江大学

牡丹江大学学报

影响因子:0.14
ISSN:1008-8717
年,卷(期):2024.33(10)