美术观察2024,Issue(9) :22-25.

流动的主体:展览建设与意义生产

Fluid Subjectivities:Exhibition Construction and Meaning Production

何桂彦
美术观察2024,Issue(9) :22-25.

流动的主体:展览建设与意义生产

Fluid Subjectivities:Exhibition Construction and Meaning Production

何桂彦1
扫码查看

作者信息

  • 1. 四川美术学院艺术人文学院
  • 折叠

摘要

展览的主体建设不仅贯穿着整个中西展览史,并且,其"主体性"始终处于动态、流变的状态.对于17世纪法国的沙龙展来说,展览制度的设计与建设是关键.进入现代艺术阶段,现代主义的叙事成为核心的任务.与此同时,画廊制度与美术馆制度影响着展览的意义生产.后现代主义时期,展览呈现出了前所未有的开放性,剧场化、空间的转向都对既定的展览制度提出了挑战.今天,伴随着新媒介、新技术的发展,展览如何完成主体性的建构,如何实现自身的意义生产,以及带给观众更好的审美体验等,都成为艺术界关注的话题.

Abstract

The construction of the exhibition's main body has been a key aspect throughout the history of both Western and Chinese exhibitions.The concept of"subjectivity"within these exhibitions is characterized by a dynamic and continuous transformation.The design and construction of the exhibition system were crucial for 17th-century French salon exhibitions.Entering the modern art era,the narrative of modernism became the core task.Meanwhile,the gallery and museum systems influenced the meaning production of exhibition.In the postmodern period,exhibitions have shown unprecedented openness,along with theatricality and spatial shifts,has challenged established systems.Today,with the development of new media and technology,how exhibitions construct their subjectivities,produce their own meanings,and provide better aesthetic experiences for audiences have become topics of interest in the art world.

关键词

沙龙展/现代主义叙事/策展人制度/美术馆时代/意义生产

Key words

salon exhibition/modernist narrative/curatorial system/the age of art museums/meaning production

引用本文复制引用

出版年

2024
美术观察
中国艺术研究院

美术观察

北大核心
影响因子:0.107
ISSN:1006-8899
段落导航相关论文