摘要
围绕"八景"的创作相当程度上映射出地方仕人群体对文化正统性的诉求,并通过"八景"这个概念以书画、诗歌等形式进行公式化的浪漫主义表达.这是一个持续不断的塑造过程,同地方精英群体文化主体身份的构建与权力话语强化密切相关.徽州的西溪南村八景从文学到绘画概念的塑造过程不仅映射了宗族精英群体导向下的艺术创作背景,也体现了八景概念具有时空超越属性,会随着需要被挪用、改造和强化.
Abstract
The"Eight Sceneries"is a transcendental human landscape concept based on multiple experiences such as vision,imagination,anticipation,and memory,which widely occurs in traditional rural and urban areas.Not only that,but also to a considerable extent reflects the demands of local officials for cultural orthodoxy.The concept of the"Eight Sceneries",therefore,is expressed in a formulaic and romantic way through calligraphy,painting and poetry.This is a continuous process of shaping,closely linked to the construction of the cultural subject identity of local elites and the reinforcement of power discourses.Taking the eight scenes of Xixinan village in Huizhou as an example,the process of shaping the cultural concept under the guidance of this lineage elite group not only maps the trajectory of the rise and fall of Huizhou merchants.It also shows that the concept of the eight sceneries has the attribute of transcending time and space.This concept fits the demands of the gentry elite and caters to the needs of the elegant ideal experience,and extends its potential influence through different types of cultural creations.
NETL
NSTL
万方数据