A Contemporary Path to Xieyi Oil Painting—From the Ontology Language to the Subjective Inquiry
This paper takes the eight consecutive years of the"Cultural Inheritance Exhibition of China Xieyi Oil Painting"as the introduction,and takes the French Impressionist Exhibition,which was held eight times in the 19th century,as the reference,to analyze the three problems of the development of Chinese Xieyi oil painting in the present time:Firstly,to prove the subject's"presence"by"sketching";Secondly,to realize the group's"co-presence"by"us";Thirdly,to strengthen the space of"interaction"of the subject by"intersubjectivity".The three only show that on the issue of Xieyi,contemporary oil painters have come out from the obsession with formal ontological language since the new period of reform and opening-up,and have continuously expanded their spiritual world with their own practical experience,and established a new order in the relationship between knowledge and action,between object and self,between existence and nothingness,between form and intention,and between view and thought.
Xieyi oil paintingontology languagesubjective conceptintersubjectivityexistential space
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