首页|17世纪后半叶法国"中国风"装饰图案人物形象嬗变研究

17世纪后半叶法国"中国风"装饰图案人物形象嬗变研究

扫码查看
与16世纪欧洲"中国风"装饰图案中模仿中国人物纹饰或在中国纹饰中拼贴西方人物的方式不同,17世纪后半叶,法国的"中国风"装饰图案中的人物形象逐渐呈现出法国艺术的特征,表现出对中国主题的创新性诠释.这一转变主要有两个原因.一方面,随着介绍中国风土人情的欧洲出版物广泛流传,书中的插图为法国的图像创新提供了丰富的视觉资源和新的视角.另一方面,法国艺术家和设计师通过在图像创新和图案设计上的共同努力,将以中国人物为中心的装饰图案发展为法国独具特色的"中国风",并成为欧洲"中国风"装饰艺术的典范.
Research on the Character Image Change of French"Chinoiserie"Decorative Patterns in the Second Half of the 17th Century
Unlike the 16th century European"Chinoiserie"decorative patterns,which either imitated Chinese figure motifs or inserted Western figures into Chinese designs,in the latter half of the 17th century,the depiction of figures in French"Chinoiserie"began to exhibit characteristics of French art,showcasing an innovative interpretation of Chinese themes.This transformation was primarily driven by two factors.On the one hand,the widespread circulation of European publications introducing Chinese customs and culture,along with their illustrations,provided French artists with a wealth of visual resources and new perspectives for image innovation.On the other hand,through the collaborative efforts of French artists and designers in image creation and pattern design,they successfully developed figure-centered decorative motifs with distinct French characteristics,which ultimately became iconic in European"Chinoiserie"decorative arts.

French Chinoiseriedecorative patternChinese character image

董行茜

展开 >

中国地质大学(北京)珠宝学院

法国中国风 装饰图案 中国人物形象

2024

美术观察
中国艺术研究院

美术观察

北大核心
影响因子:0.107
ISSN:1006-8899
年,卷(期):2024.(12)