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人民主体性的多元内涵表达——朴承浩主题性美术创作探析

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在新时代的创作语境下,以人民为中心是主题性美术创作产生发展的核心指导理念,也是主题性美术创作塑造人民形象、阐释人民主体性地位的核心思想依托.朴承浩作为东北地区主题性美术创作的典型代表,既重视对革命历史题材的表现,又重视对现实题材的挖掘,既坚持使用写实手法塑造人物真实形象,也使用综合材料积极探索主题性绘画的表现力,由此建构起了极具个人审美风格和东北地域特色的人民主体性多元内涵阐释.
The Expression of Diverse Connotations of People's Subjectivity—Analysis of Piao Chenghao's Theme Based Art Creation
In the creative context of the new era,people-centredness is the core guiding concept for the creation and development of thematic art,as well as the core ideological basis for the creation of thematic art to portray the image of the people and explain their subjective status.Piao Chenghao,as a typical representative artist of thematic art creation in Northeast China,attaches great importance to both the expression of revolutionary historical themes and the exploration of realistic themes.He insists on using realistic techniques to shape the true image of characters and actively explores the expressive power of thematic painting through comprehensive materials.As a result,he has constructed a diverse interpretation of the people's subjectivity with a strong personal aesthetic style and Northeast regional characteristics.

theme based art creationpeople's subjectivityPiao Chenghao

张榕洁

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韩国诚信女子大学

主题性美术创作 人民主体性 朴承浩

2024

美术观察
中国艺术研究院

美术观察

北大核心
影响因子:0.107
ISSN:1006-8899
年,卷(期):2024.(12)