物与爱的表达——读黛莱达的小说《风中芦苇》
Expressions of Things and Love in Deledda's Novel Canne al Vento
梅天骄1
作者信息
- 1. 北京外国语大学,北京 100081;北京语言大学,北京 100083
- 折叠
摘要
格拉齐娅·黛莱达获得1926年诺贝尔文学奖,是意大利文学史上唯一一位获得诺贝尔文学奖的女性作家.《风中芦苇》作为黛莱达的代表作品之一,近年来虽愈加受到学术研究领域的关注,但仍有较多可供填充和挖掘的研究角度.21世纪以来"物转向"批评话语体系突出了物在文学叙事中的主体作用,为研究黛莱达的作品提供了新的视角和切入点.而爱情作为黛莱达在文学创作中一直着重描述和思考的重要主题,也在《风中芦苇》中起到了反映社会变迁、凸显成长经历对人物观念塑造的关键作用,传递着黛莱达对于善与恶、罪与罚的思考.
Abstract
Grazia Deledda won the Nobel Prize for Literature in 1926,and has been the only female writer to win such a prize in the history of Italian literature.As one of Deledda's representative works,Canne al Vento has received increasing attention from academic circles in recent years,yet there are still many angles from which to conduct a further research.Since entry into the new century,The criticism discourse system of"Material Turn"has highlighted the major role of objects in literary narratives,which provides another perspective from which to study Deledda's works.Love,as an important theme that Deledda has been focusing on and thinking about in her literary creation,also plays a key part in reflecting social changes and highlighting the critical role of growth environment in character creation,conveying Deledda's reflection on good and evil as well as crime and punishment.
关键词
《风中芦苇》/格拉齐娅·黛莱达/"物转向"/爱情Key words
Canne al Vento/Grazia Deledda/"Material Turn"/love引用本文复制引用
出版年
2025
NETL
NSTL
万方数据