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旧社会艺人在新中国成立初期的身份转换与形象重塑

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旧社会艺人向文艺工作者的身份转换,是观察新中国塑造社会风尚的重要视角.新中国成立初期,中国共产党对旧社会艺人及文艺工作进行了全面塑造.通过实施一系列方针、政策,广大旧社会艺人对自身存在的不足有了更加深刻的认识,进一步加深了对中国共产党的了解、增强了对社会主义的热爱,变被动为主动、由勉强到自觉进行自我改造.由此,全社会形成了对"文艺工作者"的社会认同,文艺工作者从过去遭人鄙夷的"戏子"身份中解放出来,成为建设新社会的劳动人民一部分,实现了身份转换与形象重塑.梳理旧社会艺人在新中国成立初期身份转换、形象重塑的过程,可为坚守新时代文艺的人民立场、建设社会主义文化强国提供历史镜鉴.
Identity Transformation and Image Reconstruction of Old-Society Artists in the Early Period of New China
The identity transformation from old-society artists to literary and artistic workers is an important perspective to observe the shaping of social fashion in new China.In the early days of New China,the CPC carried out a comprehensive remolding of the artists and literary and artistic work in the old society.Through a series of guidelines and policies,a large number of old-society artists gained a deeper understanding of their own shortcomings,further strengthened their understanding of the CPC and their love for socialism,and carried out self-transformation with a shift from passivity to initiativeness and from reluctance to self-consciousness.As a result,the whole society formed a social acknowledgement of"literary and artistic workers",while the latter were liberated from the formerly despised identity of"clown"and realized identity transformation and image reconstruction through becoming a part of the working people who cooperatively built the new society.Sorting out the identity transformation and image reconstruction of old-society artists in the early years of New China can provide historical references for upholding the people's stand on the arts in the new era and building a socialist cultural power.

梁家贵

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阜阳师范大学马克思主义学院

中国共产党 旧社会艺人 文艺工作者 社会风尚

国家社科基金项目

22BKS071

2024

毛泽东邓小平理论研究
上海社会科学院哲学研究所,邓小平理论和“三个代表”重要思想研究中心,中国马克思主义哲学史学会

毛泽东邓小平理论研究

CSSCICHSSCD北大核心
影响因子:0.887
ISSN:1005-8273
年,卷(期):2024.(5)