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短视频生活化叙事的逻辑与引导

The Logic and Guidance of Short Video Lifestyle Narrative

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以手机为代表的智能终端作为生活化、具身化的媒介工具,催生一种新型的短视频叙事——生活化叙事.它源于人类对"身体在场"的不懈追求,具有强烈的"身体在场"特征,以期实现人与人的"技术性亲密".它以人格化摄影与第一人称叙事、"自导自演"为手段的生活展演和镜头自在运动的视听语言风格为主要表征,制造出新的"身体在场"与令人惊诧的影像身体奇观.生活化叙事及其身体展演性是移动时代自我支配技术的新产物.在全民化叙事生产突破传统视听语法、贴近日常生活的同时,人们必须反思这种身体强势介入叙事中的逻辑失衡和过度产消问题,学会在新媒介生活中"自我照顾"和安生.
As a life-oriented and embodied media tool,smart terminals represented by mobile phon-esspawned a new type of short video narrative:life narrative.It originates from human's unremitting pur-suit of"physical presence",and has a strong feature of"physical presence"in order to realize the"tech-nical intimacy"between human beings.It takes personification photography and first-person narrative,"self-directed and self-performance",the audio-visual language style of camera free movement as the main representations,creating a new"body presence"and amazing image body wonders.Life narrative and its body performance are the new products of self-control technology in the mobile era.Nationwide narra-tive production is breaking through the traditional audio-visual grammar,getting close to daily life.People must reflect on the problems of logical imbalance,excessive production and consumption in the narrative of strong physical involvement,learn to"self-care"and live in the new media life.

embodied mediumlifestyle narrativebody narrativeshort videopersonification photog-raphy

郑智斌、蔡海波

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南昌大学 新闻与传播学院,江西 南昌 330031

具身媒介 生活化叙事 身体叙事 短视频 人格化摄影

江西省社会科学基金规划项目

22XW02

2024

南昌大学学报(人文社会科学版)
南昌大学

南昌大学学报(人文社会科学版)

CSSCICHSSCD北大核心
影响因子:0.413
ISSN:1006-0448
年,卷(期):2024.55(2)
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