摘要
新民主主义革命时期,国民党对中国共产党及其领导下的左翼文化运动所进行的文化"围剿"有其内在的缘由与策略.国民党军事上的失利、国民党重夺文艺话语权的意愿以及蒋介石文化复古主义的排他性是国民党开展文化"围剿"的具体缘由.以次充好、以古非今、软硬兼施以及选择性虚无则是其文化"围剿"的具体策略.在此过程中,中共以调适文化战线、廓清思想谬论、高扬思想启蒙以及把握社会脉搏作为破局之道,在破解国民党文化"围剿"的同时,更有力地推动了马克思主义中国化以及中国自主知识体系的建构.
Abstract
During the period of the new democratic revolution,the cultural"encircle and suppression"carried out by the Kuomintang against the Communist Party of China and the left cultural movement under its leadership had its internal reasons and strategies.The Kuomintang's military defeat,the Kuomintang's desire to regain the right to speak of literature and art,and the exclusivity of Chiang Kai-shek's cultural revivalism are the specific reasons for the Kuomintang to carry out cultural encirclement and suppression.The concrete strategies of its culture"encircling and suppressing"are shoplifting,using the past to replace the present,applying both soft and hard,and choosing nothingness.In this process,the Communist Party of China took adjusting the cultural front,clarifying ideological fallacies,exalting ideological enlightenment and grasping the pulse of society as the way to break the situation.While cracking the Kuomintang's cultural"encirclement and suppression",it more effectively promoted the sinicization of Marxism and the construction of China's independent knowledge system.
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