首页|当代中国民族器乐作品中"线条"的作用——以弹拨乐器古筝、琵琶作品为例

当代中国民族器乐作品中"线条"的作用——以弹拨乐器古筝、琵琶作品为例

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精确有效地记录各乐器的演奏技法、音色、思维、肢体动作等已经逐渐成为作曲家、音乐家们亟待解决的重要问题之一.在作曲家们不断地尝试的过程中,图形、文字等结合五线谱的表达方式,成了记录中国传统乐器的一种主要方式.而曲线、直线和虚线,无论是作为独立的记号存在,还是作为构成图形的素材,在中国古代记谱法系统、西方记谱法等体系中,都发挥着极其重要的作用.
The Roles of Lines in the Works of Traditional Chinese Musical Instruments with Works of Guzheng and Pipa as Examples
It has gradually become one of the important issues that the playing techniques,timbre of various musical in-struments and the mindset,and physical movements of their players are documented accurately and effectively.These issues need to be urgently addressed by composers and musicians.In the process of continuous exploration by composers,the combi-nation of graphics,words,and the traditional Western staff notation has become a primary means of recording the playing of traditional Chinese instruments.Curves,straight lines,and dotted lines,whether as independent symbols or as materials con-stituting graphics,play a vital role not only in ancient Chinese notation systems but also in the Western notation systems,and in other ones.

linesstraight linescurvesdotted linestraditional Chinese musical instrumentsmusic notation

刘明清

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内江师范学院音乐学院,四川 内江 641100

线条 直线 曲线 虚线 中国传统乐器 记谱法

2024

内江师范学院学报
内江师范学院

内江师范学院学报

影响因子:0.299
ISSN:1671-1785
年,卷(期):2024.39(5)
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