首页|元末绘画史编撰中的协作、差异与互鉴——以《南村辍耕录·叙画》与《图绘宝鉴》卷一为例

元末绘画史编撰中的协作、差异与互鉴——以《南村辍耕录·叙画》与《图绘宝鉴》卷一为例

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《南村辍耕录》与《图绘宝鉴》是元末两本重要绘画理论著作,作者分别是陶宗仪与夏文彦.两人是好友,在著书立说时也常有切磋.以往研究虽对两位撰述者和两部著作各有关注,却对两人的互动及其两部著作之间的关系有所忽视.本文以《南村辍耕录·叙画》与《图绘宝鉴》卷一为中心,考察元末绘画史编撰中撰写者之间的相互影响以及论著中观点的差异与互鉴问题.
Collaboration,Differences,and Mutual Learning in the Compilation of Painting History at the End of the Yuan Dynasty—Case study of Talks in the Intervals of Ploughing:Narrative of Painting and Volume 1 of Precious Mirror of Painting
Talks in the Intervals of Ploughing and Precious Mirror of Painting are two important theoretical works on painting in the late Yuan Dynasty,and their author are Tao Zongyi and Xia Wenyan respectively.They two were good friends and often exchanged ideas when writing their books.Previous studies have focused on the two authors and their respective works,but have overlooked their interactions and the relationship between their two works.Taking the two books as the focus,this article focuses on the mutual influence among the writers in the compilation of the history of painting at the end of the Yuan Dynasty,as well as the differences in viewpoints and mutual learning issues in their works.

Compilation of painting history at the end of the Yuan DynastyTalks in the Intervals of Ploughing:Narrative of PaintingVolume 1 of Precious Mirror of Painting

王菡薇、魏晓

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同济大学人文学院,上海 200092

南京师范大学社会发展学院,江苏南京 210097

元末绘画史编撰 《南村辍耕录·叙画》 《图绘宝鉴》卷一

2024

南京艺术学院学报(美术与设计版)
南京艺术学院

南京艺术学院学报(美术与设计版)

CSSCI北大核心
影响因子:0.296
ISSN:1008-9675
年,卷(期):2024.(5)