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甬钟来源再考

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甬钟是盛行于两周时期的一种青铜打击乐器,在中国青铜乐器发展史以及礼乐文化中具有重要的地位.关于甬钟的来源问题,学术界历来观点不一,有主张"北方小铙说""南方大铙说",也有主张"两者结合说".甬钟是由南方大铙演变而来,甬钟的形制、纹饰、篆间、钲间、乳枚及旋、斡的形成在南方可以找到一个清晰的演变过程.并且,以当时中原地区稀缺的铜矿资源,难以铸造出体型比北方小铙大十几倍、数量如此之多、耗铜原料如此之大的青铜甬钟,而南方地区丰富的铜矿资源正好满足甬钟产生和形成的条件.
A Re-examination of the Origin of Yong Zhong
Yong Zhong is a bronze percussion instrument that was popular during the Two Zhou period and holds an important position in the development history of Chinese bronze instruments and the culture of ritual music.The academic community has always had different views on the origin of Yong Zhong,with some advocating for the"Northern Small Nao Theory"and the"Southern Big Nao Theory",while others advocate for the"Combination of the Two".Yong Zhong evolved from the Southern Big Nao,and the formation of its shape,decoration,seal script,zhengjian,rumei,xuan,and wo can be found in a clear evolution process in the South.Moreover,with the scarce copper resources in the Central Plains region at that time,it was difficult to cast bronze Yong Zhong that were more than ten times larger than the Northern Small Nao in size,in such large quantities,and consumed such a large amount of copper raw materials.The abundant copper resources in the southern region perfectly met the conditions for the emergence and formation of Yong Zhong.

Yong ZhongName and realityOriginTextural research

张维、吴瑛珍

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江西师范大学音乐学院,江西南昌 330022

甬钟 名实 来源 考辨

江西省教育厅研究生创新基金(2022)

YC2022-s308

2024

南京艺术学院学报(音乐与表演版)
南京艺术学院

南京艺术学院学报(音乐与表演版)

北大核心
影响因子:0.375
ISSN:1008-9667
年,卷(期):2024.(2)
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