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叔孙通与西汉初年的宗庙音乐

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叔孙通是汉初礼乐重建的关键人物,此时的朝会仪、宗庙乐和仪品均由其主导完成.《汉书·礼乐志》将其所制的汉家宗庙乐之《武德舞》《文始舞》系于汉四年(前203)和汉六年(前201)并不准确,此事应发生在惠帝即位后叔孙通第二次担任太常期间.汉初的宗庙礼乐乃是仿效秦制所作,主要适用于长安的太上皇庙、高祖庙,以及各地的郡国庙.正是经叔孙通的努力,汉初的宗庙音乐呈现出崇雅用俗、礼法兼杂的复合样态.
Shu Suntong and the Music of Ancestral Temples in the Early Western Han Dynasty
Shu Suntong was a key figure in the reconstruction of ritual and music in the early Han Dynasty.At that time,he led the completion of the court ceremony,ancestral temple music,and ritual products.The Han Shu & Li Yue Zhi did not accurately attribute the Han family ancestral temple music he created,including the Wu De Wu and Wen Shi Wu,to the fourth and sixth years of the Han Dynasty(203 BC and 201 BC).This should have happened during the second term of Tai Chang held by Shu Suntong after Emperor Hui ascended the throne.The ancestral temple rituals and music of the early Han Dynasty were modeled after the Qin system and were mainly applicable to the Tai Shang Royal Temple and Emperor Gao Zu Temple in Chang'an,as well as the temples of various prefectures and states.It was through the efforts of Shu Suntong that the music of ancestral temples in the early Han Dynasty presented a complex pattern of respecting elegance,using customs,and combining etiquette and law.

Shu SuntongThe early Han DynastyAncestral temple musicElegance and vulgarity

张俊杰、叶明春

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西北大学艺术学院,陕西西安 710127

西安音乐学院人文学院,陕西西安 710061

叔孙通 汉初 宗庙音乐 雅俗

国家社会科学基金重大项目中国博士后科学基金面上资助项目(第七十一批)

20&ZD2762022M712581

2024

南京艺术学院学报(音乐与表演版)
南京艺术学院

南京艺术学院学报(音乐与表演版)

北大核心
影响因子:0.375
ISSN:1008-9667
年,卷(期):2024.(2)
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