首页|具身共演、气氛空间与居间体验——"行为表演艺术"及其意义发生机制的现象学探析

具身共演、气氛空间与居间体验——"行为表演艺术"及其意义发生机制的现象学探析

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20世纪60年代以来,西方艺术的"行为表演转向"催生了"行为表演艺术".作为艺术的"行为表演",一方面摒弃了角色扮演,将"表演"还原为演员具身行为的自指性展演;另一方面破除了观演二分,将观看还原为观众具身参与的合作性共演.因此,行为表演艺术既不是现成的作品,也不仅是可写的文本,而是具身共演的事件.作为具身共演事件的"行为表演",不是在与表演相分离的实体性剧场空间中按部就班地上演,而是在由行为表演的具身展演所开启的情感气氛空间中发生.如此这般的行为表演艺术具有独特的意义发生机制,即"具身共在—居间体验—情感空间—具身共演"机制,而居间体验是该机制的枢机.
Embodied Performance,Atmosphere Space,and Intermediary Experience——A Phenomenological Analysis of the Mechanism of"Performance Art"and Its Meaning
Since the 1960s,the"behavioral performance turn"in Western art has given rise to"performance art".As an art form of"performance",on the one hand,it abandons role-playing and restores"performance"to a self referential display of the actor's embodied behavior.On the other hand,it breaks the dichotomy between watching and acting,restoring viewing to a collaborative performance in which the audience actively participates.Therefore,performance art is neither a ready-made work nor a writable text,but rather an event of embodied co-performance.As an embodied co-performance event,"behavioral performance"does not occur in a physical theater space separated from the performance,but rather in an emotional atmosphere space opened by the embodied performance of behavioral performance.This kind of performance art has a unique mechanism of meaning,which is the mechanism of"embodied co-existence,intermediary experience,emotional space,embodied performance",and the intermediary experience is the pivot of this mechanism.

Behavioral performanceEmbodied co performanceEmotional atmosphereIntermediary experience

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四川美术学院,重庆 401331

行为表演 具身共演 情感气氛 居间体验

重庆市社会科学规划项目四川美术学院博士科研启动基金四川美术学院重大课题研究培育项目

2023NDQN552023BSQD006230243507

2024

南京艺术学院学报(音乐与表演版)
南京艺术学院

南京艺术学院学报(音乐与表演版)

北大核心
影响因子:0.375
ISSN:1008-9667
年,卷(期):2024.(3)