Differentiation and Flow:A Sociological Critique of the Characteristics of Music Interest Classes
Bourdieu believed that musical interests can clearly represent the class characteristics of a population.Rancière criticized Bourdieu's sociological research,particularly reflecting deeply on his logic of differentiating interests.Based on the analysis of Rancière's"dissensus",we can gain a deeper understanding of the fluidity of musical interest.From a historical perspective,the formation of musical interests in specific social classes is indeed closely related to field discipline,but at the same time,it has the initiative and fluidity to seek novelty and diversity.With the popularization of digital technology and the acceleration of globalization in China,Chinese musical interests show unprecedented complexity.Exploring the relationship between musical interest and social stratification is of great significance in the contemporary Chinese context.
万方数据
维普
