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皮尔斯现象学视域下爱伦·坡小说中的噪音政治

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爱伦·坡通过噪音描写为其文本构建听觉空间的同时,也构建了一种噪音与权力之间的隐喻,凸显作品中噪音对秩序的消解功能.以皮尔斯现象学的物体存在三性学说为基础,把文学中噪音研究当作一种法则研究,发现爱伦·坡作品中的噪音具有瓦解权力中心的法则,并进一步推出该现象之下呈现出三种权力斗争的样态,包括政治权力、性别权力以及种族斗争,说明噪音如何成为坡小说揭示文本社会政治内涵的独特通道,以此丰富噪音在文学领域的研究,为文学与噪音跨学科研究提供一定借鉴参考.
A Peircean Phenomenological Approach to Edgar Allan Poe's Noise and Politics
While Poe uses noise to construct an auditory space for his text,he also constructs a metaphor between noise and power,highlighting the dissolving function of noise in his works.Based on Peirce's phenomenological theory of the existence of three levels of ob-jects,this article treats the study of noise in literature as a kind of law,explores its function of disintegrating the center of power,and fur-ther deduces what appears under this law.It identifies three forms of power struggle under this law,including political,gender,and racial struggles,and explains how noise becomes a unique channel to reveal the social and political connotations of Poe's texts.The research enriches the study of noise in the field of literature and provides certain reference for interdisciplinary study on literature and noise.

Allan Poenoisethirdnesspower strugglesocio-political connotations

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华南师范大学汕尾校区 公共课教学部,广东 汕尾 516600

爱伦·坡 噪音 第三性 权力斗争 政治内涵

2024

武夷学院学报
武夷学院

武夷学院学报

影响因子:0.28
ISSN:1674-2109
年,卷(期):2024.43(11)