莆田学院学报2024,Vol.31Issue(6) :83-88.

现当代中国画人物创作中光影的运用

The Application of Light and Shadow in the Creation of Contemporary Chinese Figure Paintings

杨幼梅 王涵阳
莆田学院学报2024,Vol.31Issue(6) :83-88.

现当代中国画人物创作中光影的运用

The Application of Light and Shadow in the Creation of Contemporary Chinese Figure Paintings

杨幼梅 1王涵阳2
扫码查看

作者信息

  • 1. 福建幼儿师范高等专科学校 学前教育学院,福建 福州 350007
  • 2. 中国美术学院 绘画艺术学院,浙江 杭州 310002
  • 折叠

摘要

简述光影在传统中国画中的运用及表现形式;论述现当代中国人物画创作中的光影表现,从三个方面论述光影对现当代中国画人物创作的意义;结合徐悲鸿、蒋兆和、田黎明等现当代画家的人物作品和笔者的创作实践,探讨在中国人物画创作中如何传承和发展光影技法.

Abstract

The paper gives a brief account of the application and manifestation forms of light and shadow in traditional Chinese paintings,and discusses the expression of light and shadow in the creation of contemporary Chinese figure paintings,and illustrates the significance of light and shadow for the creation of contemporary Chinese figure paintings from three aspects.Combined with the figure works of contemporary painters such as Xu Beihong,Jiang Zhaohe,and Tian Liming,and the author's creative practice,the paper explores how to inherit and develop the light and shadow techniques in the creation of Chinese figure paintings.

关键词

光影/传统中国画/现当代中国画/中国人物画

Key words

light and shadow/traditional Chinese painting/contemporary Chinese painting/Chinese figure painting

引用本文复制引用

出版年

2024
莆田学院学报
莆田学院

莆田学院学报

影响因子:0.239
ISSN:1672-4143
段落导航相关论文