The long-form ecological reportage work Jiang Ru Lian(A White Silk Ribbon-Like River)transcends the traditional visual limitations of the Lijiang River landscape writing,highlighting its ecological signifi-cance.Through the"three-scape"perspectives,namely,the microcosmic landscape,the silent soundscape,and the soulscape as a spiritual home,the work showcases the harmonious coexistence of humans and na-ture.It transforms landscape writing into life writing and converts landscape aesthetics into life aesthetics,breaking through anthropocentric views and inspiring an ecological aesthetic reflection on the landscape of the Lijiang River.
维普
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