首页|金基德电影《圣殇》中母爱的救赎

金基德电影《圣殇》中母爱的救赎

Kim ki-duk film wounds “st” maternal redemption

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很多人说《圣殇》很不金基德,因为金基德的电影总被惯有变态、冷漠和畸形的人物性格。随之一个变态的现象出现了:影迷们对于金基德作品的评判变成了这部片子里有没有限量级的画面,够不够边缘。这样的评判标准使得金基德的电影越来越不被大众所真正了解而被彻底误解。金基德导演也变成了一个独特的存在,被人们解读的既复杂又怪异。《圣殇》中李江道的人物性格及人生命运都充满了金基德导演的影子,而母亲江美善就像是金基德想象出来最理想母亲的设想。现实和影片一样,当温暖的母爱出现后又那样残忍的收回,这就是金基德对母爱终生的渴求。
A lot of people say wounds “st” is not very Kim ki-duk,because Kim ki-duk film always be usual abnormal cold and strange characters.So a abnormal phenomenon appeared:fans for Kim ki-duk works have any limited level evaluation into the film,enough margin.Such criteria make Kim ki-duk film more and don't really understand by the public and was completely misunderstood.Kim ki-duk director also became a unique existence and interpreted by people are both complicated and weird.Wounds “st” li tao in the character and destiny of life is full of the shadow of Kim ki-duk director,and mother Jiang Meishan like Kim ki-duk imagine the ideal mother.Reality and the film,when the warmth of maternal love in such a cruel back again after,this is Kim ki-duk expect of a mother's love for life.

杜楚宁

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西安美术学院

女性 母爱 救赎 温暖 冰冷 自传 角色 边缘

2016

人间

人间

ISSN:
年,卷(期):2016.225(30)
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