染整技术2024,Vol.46Issue(2) :73-77.

明代水陆画女子幞头分析

Analysis of female Futou in sacred paintings of Ming Dynasty

孙佳玉
染整技术2024,Vol.46Issue(2) :73-77.

明代水陆画女子幞头分析

Analysis of female Futou in sacred paintings of Ming Dynasty

孙佳玉1
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作者信息

  • 1. 北京服装学院,北京 100000
  • 折叠

摘要

明代水陆画人物造型丰富,其中诸主尊身侧女子头戴幞头引起了笔者的关注.以现存明代水陆画图像为基础,对女子幞头造型进行分类,探寻各类型幞头粉本的来源和发展.根据对明代水陆画侍女幞头中的如意云头形幞头和凤翅幞头进一步分析,发现明代水陆画女子幞头可能源自五代和辽金时期世俗宫廷伎乐侍从的装束,明代在此基础上又进行了创新发展.

Abstract

The Ming Dynasty sacred paintings are rich in figures,in which the heads of the women around the masters have attracted the attention of the author Based on the existing Ming Dynasty sacred painting images,this paper classifies the female head shape and explores the origin and development of various types of head powder.Based on the further analysis of the Ruyi cloud-shaped head and phoenix-winged head in Ming Dynasty sacred paintings,it is found that the female head in Ming Dynasty sacred paintings may have originated from the dress of the palace's folk music attendants in the Five Dynasties and the Liao and Jin dynasties,the Ming Dynasty carried on the innovation development on this foundation.

关键词

水陆画/女子幞头/粉本

Key words

sacred painting/female Futou/draft

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出版年

2024
染整技术
江苏苏豪传媒有限公司 江苏省纺织工程学会

染整技术

影响因子:0.28
ISSN:1005-9350
参考文献量2
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