贵州施洞苗族龙纹地位衍变现象之探析
An Analysis of the Evolution of Miao People's Dragon Pattern Status in Shidong,Guizhou
谭晓宁1
作者信息
摘要
龙作为施洞苗族"始祖母"蝴蝶的十二子之一,在织锦围腰构图布局上突破了原有的伦理序列而独居于始祖地位之上,成为施洞苗族织锦围腰上的核心纹样.文章通过对该支系纹样间的显性关系与纹样背后苗汉文化涵化中的隐性逻辑展开讨论.试图解释贵州施洞苗族地区因该支系财富圈的形成、人口格局的变化以及皇权与地方权力的博弈对龙的地位的影响与重构.文章旨在通过这种重建后的视觉秩序来探讨"龙纹"偏离原初秩序的现象动因,进而认为织锦围腰中龙纹地位的衍变是族群身份集体意识的自我重建.
Abstract
The dragon is one of the twelve sons of the butterfly,the"ancestor"of the Shidong Miao nationality.In the composition of the brocade apron,the dragon pattern broke through its original ethical sequence and lived alone on the ancestors,becoming the core pattern on the Shidong Miao brocade apron.The article explores the phenomenon of the"dragon pattern"deviating from the original order through the reconstructed visual order.The article believes that the change in the position of the dragon in the brocade apron is a self-reconstruction of the collective consciousness of ethnic identity.
关键词
施洞苗族/龙纹/地位/始祖母Key words
Shidong Miao/dragon pattern/status/ancestor引用本文复制引用
基金项目
国家社会科学基金艺术学重大项目(20ZD08)
出版年
2024
NETL
NSTL
万方数据