社会使命与时代叙事:1949～1965年传统工艺美术的"人民性"
Social Mission and Narrative of The Times:The"People's Nature"of Traditional Arts and Crafts from 1949 to 1965
张爱红1
作者信息
摘要
中华人民共和国成立初期,伴随手工业社会主义改造的展开,毛泽东《在延安文艺座谈会上的讲话》中提出的"人民性"文艺精神,在传统工艺美术中逐步落实:以"人民"身份登上政治舞台的手工艺人,成为工艺美术"人民性"的阐释主体;深入理解、深刻表现人民新生活,展现社会主义制度的优越性,从人民的需要出发"为人民",成为工艺美术创作的社会使命;以"人民性"重建"民族性",在"人民文化"中得以重构的"民族形式",成为工艺美术叙事的时代元素.在"为人民"的社会需求中,作为"人民"的手工艺人,在实践中诠释了工艺美术的"人民性",履行了工艺美术服务人民日常生活、展现社会主义优越性、塑造新时代人民形象的时代使命,也形成了融传统技艺、时代内容和民族意象于一体的新民族形式.
Abstract
During the early years of the founding of the People's Republic of China,with the development of the socialist transformation of the handicraft industry,the"people's nature"literary and art spirit put forward in MAO Zedong's Speech at the Yan'an Forum on Literature and Art,gradually implemented in traditional arts and crafts:craftsmen on the political stage as"people",become the interpretation subject of the"people's nature"of the arts and crafts.To deeply understand and deeply express the life of the people's new life,show the superiority of the socialist system,from the needs of the people,"for the people",become the social mission of arts and crafts creation.To rebuild the"national character"with the"people",the"national form"reconstructed in the people's culture,become the narrative element of the arts and crafts.
关键词
传统工艺美术/社会主义改造/"人民性"/"为人民"/民族形式Key words
traditional arts and crafts/socialist transformation/"people's nature"/"for the people"/national form引用本文复制引用
基金项目
国家社会科学基金艺术学项目(20ZD08)
教育部人文社会科学研究项目(20YJC760125)
出版年
2024
NETL
NSTL
万方数据