The Aesthetic Imagery of Yiyuan construction in Gu Wenbin's Manuscript:"Painting","Writing","Garden"and Mutual Words and Evidence
This paper centers on Gu Wenbin's manuscripts,and through combing his letters,diaries,poems,calligraphy and painting preface and post-script,it traces the construction process of the Garden of Yiyuan in Suzhou in the late Qing Dynasty,which was"constructed by painting","remembered by painting",and"painting and writing complemented each other",and explains the three excellences of poetry,calligraphy and painting in the Garden of Yiyuan.It traces the building process of"constructing the garden according to paintings","remembering the garden with paintings"and"painting and writing complement each other"in Suzhou Yiyuan,explains the way of the literati in Yiyuan that integrates poetry,calligraphy and painting into one,and interprets the physical space and cultural and psychological space of Yiyuan,and explains how it was built.It also explains the physical space and cultural and psychological space created in Yi Garden,and then explores the aesthetic image of the garden owner,Gu Wenbin,who"imitates and imitates with elegance and frugality,""adopts various styles and adheres to traditions,"and"is elegant and sincere with a unique literary heart".From the point of view of the garden owner,through the gardening concepts of the garden owner Gu Wenbin and the garden of art and literature interactions,we re-examine the unique value of Yiyuan in the classical gardens of Suzhou,and see the gardening styles and aesthetic images of the literati of Suzhou in the late Qing Dynasty"Tongguang Zhongxing"gardening mini-crescendo period.
NETL
NSTL
万方数据
