眼睛与世界——阿尔珀斯《描绘的艺术:17世纪的荷兰艺术》
Between the Eyes and the World:The Art of Describing:Dutch Art in the Seventeenth Century by Svetlana Alpers
刘爽1
作者信息
摘要
不同于意大利艺术的叙事性传统,17 世纪的荷兰绘画展现出一种制作的性质,在《描绘的艺术:17 世纪的荷兰艺术》中,美国艺术史家斯韦特兰娜·阿尔珀斯(Svetlana Alpers,1936～)在欧陆传统内部发起反叛,引人关注到荷兰绘画的"描绘性"特征——"荷兰绘画与现实,犹如眼睛与世界".这一语境下,本文深入 20 世纪的视觉文化与景观研究,重新审视阿尔珀斯上述讨论所面对的复杂处境,当"域外景观"沦为一种帝国风景,当效果本身能够制造隐喻,北方绘画的描绘性终究难以从一而终.
Abstract
Unlike the narrative tradition of the Italian art,in the seventeenth-century Netherlands,painting brought a"display of craft".In The Art of Describing:Dutch Art in the Seventeenth Century,Svetlana Alpers led a revolt within the European tradition,drawing attention to the"descriptive"of Dutch painting:the relation between the Dutch painting and the reality was similar to that between the eyes and the world.In the field of visual culture and landscape studies of the 20th cen-tury,the article took a new look on the complex context of Alpers'discussion,when the extraterritorial views became imperial landscapes,when the effects created metaphors,the northern tradition of describing would be hard to get recognized.
关键词
《描绘的艺术》/17世纪荷兰绘画/地理图像/静物画/风景画Key words
The Art of Describing/Dutch Art in the 17th Century/geographical images/still life/landscape引用本文复制引用
出版年
2024
NETL
NSTL
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