首页|"希腊眼睛"与"佛眼低垂":熊秉明跨文化语境中的视觉期待

"希腊眼睛"与"佛眼低垂":熊秉明跨文化语境中的视觉期待

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旅法艺术理论家熊秉明认为,从"看"开始,中西方就已经不同了.因此,对"看"的反思成为他分辨中西方不同文化特质的起点.他在《看蒙娜丽莎看》一文中通过对蒙娜丽莎、欣赏者、达·芬奇的目光分析,直指中西视觉在"物的真实"与"想象的真实""目察"与"心赏""理性精神"与"游戏精神"等方面的差异.此外,熊秉明意识到,中西观看也有相契的一面,例如:艺术作品中恍惚的表象、生命的含量、对超越人类力量之上的想象等.熊秉明把中西艺术相异相契的发现,归源于在"希腊眼睛"与"佛眼低垂"之间的观看,他的观看之道为全球化浪潮下徘徊于作品与精神、中国与西方、传统与现代的艺术视觉,建立起一种新的期待.
"Greek Eyes"and"Buddha's Eyes Drooping":Xiong Bingming's Visual Expectation in Transcultural Context
Renowned art theorist Xiong Bingming,who resides in France,believes that the divergence between Eastern and Western cultures begins with the act of"seeing".Consequently,his contemplation of"seeing"serves as the starting point for distinguishing the distinctive cultural traits between the East and the West.In his article Interactive Vision:An Interpretation of Mona Lisa,he points out the differences between Eastern and Western visual perceptions regarding as-pects such as"the reality of objects"versus"the reality of imagination,""observing with the eyes"versus"perceiving with the mind,""rational spirit"versus"playful spirit"through an analysis of the gazes of Mona Lisa,the admirer,and Da Vinci.In addition,Xiong Bingming also realizes that there are shared aspects in Eastern and Western modes of observation,for example:the ambiguous representation in artworks,the depth of life,and the imagination of powers beyond human capa-bilities.Xiong Bingming attributes the contrasting and shared aspects of Eastern and Western visual perceptions to the observation between the"Greek eye"and"Buddha's eyes drooping".His approach to observation,amid the wave of globalization,in navigating through works and spirits,Chinese and Western,traditional and modern artistic visions,has established a new anticipation.

Xiong Bingmingobservationarttransculturalvisual modernity

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东南大学艺术学院

熊秉明 观看 艺术 跨文化 视觉现代性

中央高校基本科研业务费专项

2242024S20018

2024

艺术设计研究
北京服装学院

艺术设计研究

CSSCICHSSCD北大核心
影响因子:0.185
ISSN:1674-7518
年,卷(期):2024.(3)