首页|启蒙理想的现实主义表征——读王逊的《中国美术史稿》

启蒙理想的现实主义表征——读王逊的《中国美术史稿》

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王逊的中国美术史研究,直接延续了新文化运动尤其是蔡元培、邓以蛰的学脉,并且远承了启蒙运动以来的德国美术史传统.王逊在他的中国美术史研究和教学尤其是《中国美术史稿》等著作中,特别强调"美术史是一种科学",注重基于马赫主义的实在论来揭示中国美术史"优秀的现实主义传统",并将其作为"创造新美术的依据",以及追问"为什么要学习或研究美术史",其实都是启蒙精神的具体表征.王逊的中国美术史研究和著作或有具体欠缺乃至错误,但他在特殊时期为研究中国美术史以及撰写相关的著作所付出的种种艰辛努力,尤其是他所一再追问的"为什么要学习或研究美术史",仍然拥有其恒久的意义.
Realistic Expression of the Ideal of Enlightenment:on Wang Xun's Draft of Chinese Art History
Wang Xun's research on Chinese art history directly continues the academic tradition of the New Culture Movement,especially Cai Yuanpei and Deng Yizhe,and also inherits the tradition of German art history since the Enlightenment.Wang Xun emphasized in his research and teaching of Chinese art his-tory,especially in his works such as Draft of Chinese Art History,that"art history is a science",laying stress on the revelation of the"excellent tradition of realism"in Chinese art history based on the Realism of Machism,and using it as"the basis for creating new art",as well as questioning"why one should study or research art history",which are concrete expressions of the Enlightenment spirit.Wang Xun's research and works on Chinese art history may have specific shortcomings or even errors,but his various arduous efforts in studying Chinese art history and writing related works during special periods,especially his repeated questioning of"why one should study or research art history,"still have its lasting significance.

Wang XunChinese art historyDraft of Chinese Art Historyrealismenlightenment

王浩

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中央美术学院人文学院

王逊 中国美术史 《中国美术史稿》 现实主义 启蒙

2024

艺术设计研究
北京服装学院

艺术设计研究

CSSCICHSSCD北大核心
影响因子:0.185
ISSN:1674-7518
年,卷(期):2024.(3)