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手工艺研究的三个维度:基于"身体感"的视角

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手工艺的生产消费实践充满感官经验与身体感受,并深受社会文化的形塑.针对手工艺传承中的多重感官经验,从身体感的视角,本文尝试提出感知(习得技艺)、体悟(实践技艺)、转化(体验技艺)三个维度作为分析框架.首先,在感知层面,是手艺人通过身体力行感知身体技艺的过程,体现了在人与物的互动中身体技艺的养成;其次,在体悟层面,艺人获得与同行艺人感同身受的劳作经验,是在物的生产实践语境中以身体物的过程;最后,在转化层面,在技艺体验中,基于亲身体验形成经验的连结与转化.借此三个维度,本文尝试为过往手工艺研究中常被切割讨论的身体经验与意义系统提出一个重新整合的架构.
Three Dimensions of Handicraft Research:A Perspective Based on Body Sense
The production and consumption practices of handicrafts are full of sensory experiences and bodily sensations and are deeply shaped by society and culture.Aiming at the multiple sensory experiences in the inheritance of handicrafts,from the perspective of bodily sense,we try to put forward the three di-mensions of perception(acquiring skills),realization(practicing skills),and transformation(experiencing skills)as an analytical framework.Firstly,in the perception dimension,it is the process of craftsmen perceiving body skills through physical practice,which embodies the development of body skills in the interaction between people and objects;secondly,in the realization dimension,the craftsmen gain the experience of laboring with fellow craftsmen,which is the process of using body objects in the context of the production practice of objects;and lastly,in the transformation dimension,in the experience of the craftsmen,the linkage and trans-formation of the experience are formed based on the first-hand experience.With these three dimensions,we try to propose a re-integrated structure for the body experience and meaning system,which has often been cut and discussed in past handicraft research.

handicraftbodily experiencebodyexperience

胡玉福

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华南师范大学

手工艺 身体感 身体 体验

国家社会科学基金艺术学重大项目

22ZD06

2024

艺术设计研究
北京服装学院

艺术设计研究

CSSCICHSSCD北大核心
影响因子:0.185
ISSN:1674-7518
年,卷(期):2024.(4)
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