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变·装:法国"中国风"化装舞会的图像生成与文化动因

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本文聚焦于 17~19 世纪欧洲"中国风"背景下法国盛行的"中国主题"化装舞会,运用图像学、传播学、物质文化史研究等跨学科的方法,透过图像与文本互参、互证的"二重证据法",探讨"中国元素"遍及服饰、妆造、舞台布景等各领域,由宫廷弥散到大众群体的现象.进而分析东西合璧的"中国风"化装舞会图像的生成规律,揭橥其文化动因:随着"中国装扮"迅速成为欧洲社交的时兴范式,也一定程度上影响着人们的生活方式与文化观念,加速了"中国风"的涌动与发酵.
Cosplay:Image Generation and Cultural Motivation of French Chinoiserie Masquerade
Taking the flourishing of French"Chinese-themed"masquerade fashion in Europe from the 17th to the 19th century as the background,this paper uses interdisciplinary methods such as iconography communication studies,and material culture history,to explore the phenomenon of"Chinese elements"spreading from the court to the emerging class through the"Two fold-Evidence Method"of image and text references and mutual evidence.Then analyse the generation pattern of chinoiserie images,which are a combination of East and West,and reveal its cultural motivation:as"Chinese-Cosplay"rapidly becomes the fashionable paradigm of European social life,it also influences people's lifestyles and artistic concepts to a certain extent,thus accelerating the emergence and fer-mentation of the"Chinoiserie".

Chinese dressMasqueradeImage GenerationChinoiserieSocial fashion

蔡花菲、李湘颖、王立平

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长沙理工大学设计艺术学院

中国装扮 化装舞会 图像生成 中国风 社交时尚

2024

艺术设计研究
北京服装学院

艺术设计研究

CSSCICHSSCD北大核心
影响因子:0.185
ISSN:1674-7518
年,卷(期):2024.(6)