首页|夏皮罗艺术符号学新探——以图像学与符号学比较为视域

夏皮罗艺术符号学新探——以图像学与符号学比较为视域

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夏皮罗认同图像学对艺术作品深层意义的发掘,但不满于图像学的认识论基础、对图像特殊性的忽视以及过窄的适用范围,因此尝试建构一种非文本中心与非语言中心的艺术符号学.他一方面分析图像符号非像似成分及其表意功能,指出图像符号的意义不仅依赖惯例而且根植于人类自然本性之中;另一方面探讨文本与文字向图像转化的具体方式,并强调转化过程中符号解释者的主体地位.这种以符号解释为重心的图像符号学,突破了图像学过度依赖文本、忽视观者视角等局限,为当代艺术符号学建设提供了重要参考.
A New Exploration on Meyer Schapiro's Semiotics of Art:Based on the Comparison of Iconology and Semiotics
Meyer Schapiro agreed with the exploration of the deep meaning of works of art by iconology but questioned its epistemological basis,its neglect of the particularity of images and the narrow scope of its application.So he tried to construct a new kind of art semiotics beyond text-centric and logo-centric semiotics on the basis of iconology.On the one hand,he analyzed the non-iconic components of images and their signification,pointing out that the meanings of images are not only dependent on conventions but also rooted in human nature.On the other hand,he discussed concrete ways of transforming texts and scripts into images,highlighting the status and function of subjects of interpretation of signs.This kind of semiotics of images,which focuses on the interpretation of symbols,breaks through limitations of iconology such as over-reliance on texts and ignorance of the viewer's perspective,so it can provide an important reference for the construction of contemporary semiotics of art.

Meyer Schapiroiconologysemiotics of artsignification of imagesinterpretation of signs

王弘远

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安徽师范大学

迈耶·夏皮罗 图像学 艺术符号学 图像表意 符号解释

2024

艺术设计研究
北京服装学院

艺术设计研究

CSSCICHSSCD北大核心
影响因子:0.185
ISSN:1674-7518
年,卷(期):2024.(6)