首页|中国现代旧体诗人新媒介场域中"被阅读"的诉求

中国现代旧体诗人新媒介场域中"被阅读"的诉求

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民国时期,报纸杂志等新媒介的读者群体不断壮大,旧体诗人开始顾及受众的阅读需求.他们一方面利用新媒介发表作品及连载诗话,另一方面积极回应读者,与读者互动,可以说,新媒介促进了旧体文学生态的良性发展.同时,旧体诗人在言谈举止等方面显露出群体性的仪式化倾向,他们通过新媒介竭力展示 自身,摹画其在公众视野中风流蕴藉、高蹈独立的形象,以期获得世人关注,进而达成对其文化立场、审美趣味与精神诉求的理解与体认.这样的结果说明中国现代旧体诗人在经历了新旧文化、新旧文学的碰撞之后,最终在报纸杂志上找寻到了获得和维系受众的文学舞台.
The Appeal of"Being Read"in the New Media Field of Modern Chinese Old-style Poets
In the period of Republic of China,the readership of newspapers and magazines and other new media was growing,and the old-style poets began to take into account the reading needs of the audience.On the one hand,they made use of new media to publish their works and serialize their poems.On the other hand,they actively responded to readers and interacted with them.It can be said that the new media promoted the benign development of the old style literature ecology.At the same time,the old-style poets showed a tendency of group ritualization in many as-pects such as speech and behavior.They tried their best to show themselves through the new media,imitating the ima-ges of their romantic and independent behavior in the public view,in order to get the world's attention,and then a-chieve the understanding and recognition of its cultural position,aesthetic taste and spiritual appeal.The result shows that after the collision of the old and new culture,the old and new literature,the modern Chinese old-style poets final-ly find the literary stage in newspapers and magazines to gain and maintain the audience.

modern old-style poetsnew mediabe readpoetic viewimage-building

张宁

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湖南城市学院人文学院,湖南益阳 413000

现代旧体诗人 新媒介 被阅读 诗学观 形象塑造

湖南省社会科学成果评审委员会课题

XSP21YBZ089

2024

西华师范大学学报(哲学社会科学版)
西华师范大学

西华师范大学学报(哲学社会科学版)

CHSSCD
影响因子:0.185
ISSN:1672-9684
年,卷(期):2024.(2)
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