首页|马王堆汉墓T形帛画黄泉界面墓主形象探析

马王堆汉墓T形帛画黄泉界面墓主形象探析

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马王堆一、三号汉墓出土的两幅T形帛画的形状具有相同性、整体布局具有相似性,并且画中绝大部分物象具有趋同性,但也存在一些差异.有些差异显而易见,比如人间界面的墓主形象:一号墓帛画为面左拄杖而立的老妪,三号墓帛画为面左而立、头戴刘氏冠、腰佩长剑的高大男子;再如天上世界墓主升天成仙后的新生形象:一号墓帛画中长辫垂身、侧四分之三身端坐、身具蛇尾的年轻女子和三号墓帛画中左手叉腰、右手指向前方的年轻男子.而有些差异则比较隐晦,如黄泉界面的墓主形象,墓主在黄泉界面是以尸的形象出现的,两幅帛画的差异并非形象的不同,而是有与无的差别,三号墓帛画隐去了软侯之子尸的形象.黄泉界面轪侯之子尸体的不存,是当时颇为流行的尸解成仙思想的体现,以示其化去不死.
The two T-shaped silk paintings unearthed from the No.1 and No.3 Han tombs at Mawangdui share the same shape and similarities in the overall layout and most objects in the paintings,but there are also some differences.Some of them are obvious,such as the images of the tomb owners in the earthly life section:the painting from Tomb No.1 depicts an old woman leaning on a cane,facing left;the painting from Tomb No.3 depicts a standing tall man facing the left,who wears a headgear and a long sword.Another example is the silk painting images of the tomb owners after ascending to the celestial world:owner of Tomb No.1 reborn as a young woman with long braid and a snake tail sitting in three quarters profile;owner of Tomb No.3 reborn as a young man with his left hand on hip and right hand pointing forward.Some of the differences are obscure,such as the images of the tomb owners in the Yellow Spring sections,in which they appear as corpses.The difference between the two paintings is the existence or absence of the tomb owner's corpse in it.The tomb No.3 painting conceals the image of the tomb owner's corpse,who was the son of Marquis Dai.

Mawangdui Han TombsT-shaped silk paintingYellow Spring sectionTomb owner's image

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长沙市文物考古研究所

山东大学考古学院

马王堆汉墓 T形帛画 黄泉界面 墓主形象

湖南省社会科学基金一般项目

23YBA362

2024

四川文物
四川省文物局

四川文物

CHSSCD北大核心
影响因子:0.285
ISSN:1003-6962
年,卷(期):2024.(1)
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