内蒙古边地建筑实践中的被动式通风以呼和浩特雕塑艺术馆等为例
Passive Ventilation in Border Area Architectural Design Practice in Inner MongoliaCases Study of Hohhot Sculpture Art Museum and Other Practices
吕昱达 1龙梓熠 1阎梓崴1
作者信息
摘要
在2030年前实现碳达峰、2060年前实现碳中和的目标下,建筑作为能源消耗和碳排放的重点领域成为社会关注的焦点.被动式策略作为建筑学本体层面的操作方式,是从根本上解决建筑使用能耗、碳排放同室内舒适度之间矛盾的关键,而风是影响上述矛盾的重要因素.文章以被动式通风为视角,以张鹏举建筑师的呼和浩特雕塑艺术馆等内蒙古边地建筑实践为对象,在不同维度提取适应内蒙古特殊气候环境的空间原型及应对策略,以期为该地区建筑实践的被动式通风组织提供参考和借鉴.
Abstract
Under the goal of achieving the peak carbon dioxide emissions by 2030 and carbon neutrality by 2060,buildings have become the focus of social attention as a key area of energy consumption and carbon emissions.Passive strategy,as a mode of operation at the architectural ontology level,is the key to fundamentally solving the contradiction between building energy consumption,carbon emission,and indoor comfort.Wind is an important factor affecting the above contradictions.From the perspective of passive ventilation,this paper extracts spatial prototypes and coping strategies adapted to the special climate environment of Inner Mongolia from different dimensions,taking the Hohhot Sculpture Art Museum and other works practiced by Zhang Pengju in the border area of Inner Mongolia as objects,in order to provide an effective reference for the passive ventilation organization of architectural practices in this region.
关键词
内蒙古/边地实践/被动式通风/空间原型Key words
Inner Mongolia/Border Practice/Passive Ventilation/Spatial Prototype引用本文复制引用
出版年
2024
NETL
NSTL
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