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中国电影首轮"去戏剧化"表演观念辨析

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任何国家的电影表演史,最初都是承接着戏剧的遗产而发展的.当电影表演发展到一定程度,就会出现电影化与戏剧化的异同认知问题,甚至出现"去戏剧化"表演思潮.中国电影首轮"去戏剧化"表演观念的形成契机以及攻防双方的观点,确立了电影化和戏剧化表演博弈的基本思维方法与路径.它们不是一种零和游戏,而是一种复杂的纠缠关系.虽然双方在观点上是对峙的,在实践中却是悄然接受对方的有益"养分",是互为渗透与变革的.
Analysis of the First Round of"De-dramatization"in Chinese Films'Conceptions towards Performance
The history of film performance in any country starts with the inheritance of drama.However,as film performance develops to a certain maturity,cognitive diversities will arise concerning similarities and differences between film orientation and dramatization,to the extreme of"de-dramatization"trend.The formation of the first round of"de-dramatization"in Chinese films'conceptions towards film performance,together with attendant offensive and defensive viewpoints,constituted the basic ways of thinking and approaches in the game between cinematic and dramatic performances.Instead of a zero-sum game,it was more of a complex entanglement.In spite of antagonistic positions,they absorbed each other's beneficial"nutrients"in practice,indicating a relationship of two-way penetration and transformation.

Chinese films"de-dramatization"the first round of thoughtsanalysis and discrimination

厉震林

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上海戏剧学院 电影学院,上海 200040

中国电影 "去戏剧化" 首轮思潮 观念辨析

国家社会科学基金艺术学重大项目

19ZD11

2024

上海大学学报(社会科学版)
上海大学

上海大学学报(社会科学版)

CSTPCDCSSCICHSSCD北大核心
影响因子:0.85
ISSN:1007-6522
年,卷(期):2024.41(1)
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