首页|论东林学派对"吾与点也"与"鸢飞鱼跃"的美学接受与创作实践

论东林学派对"吾与点也"与"鸢飞鱼跃"的美学接受与创作实践

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自先秦以来,源于儒家经典的"吾与点也"和"鸢飞鱼跃"就在儒家思想体系中具有特殊地位.二者不仅是重要的学术概念,还因对人与宇宙和谐关系的生动描述而具有了美学属性.在宋明理学家看来,"吾与点也"与"鸢飞鱼跃"是对抽象宇宙本体,即"道体"的最恰当描述,因此愈发受到推崇;而其中蕴含的审美属性则成为指导理学家诗歌创作的重要理念.晚明东林学派在诗歌创作中积极贯彻了这一理念,通过多种方式将"吾与点也"与"鸢飞鱼跃"蕴含的美学价值呈现在诗歌中,体现了对先秦儒家审美传统与宋明理学美学思想的继承.
On the Aesthetic Acceptance and Creative Practice of Donglin School's"Wu Yu Dian Ye"and"Yuan Fei Yu Yue"
Since the Pre-Qin period,"Wu Yu Dian Ye"and"Yuan Fei Yu Yue",originating from the Confucian classics,have occupied a special position in the Confucian ideological system,which are not only important academic concepts,but also gain aesthetic properties due to their vivid descriptions of the harmonious relationship between man and the universe.In view of Neo-Confucianists of Song and Ming dynasties,"Wu Yu Dian Ye"and"Yuan Fei Yu Yue"are the most appropriate descriptions of the abstract universe itself,that is,"Tao Ti",so they are increasingly respected.In addition,aesthetic attributes they contain have become important concepts to guide Neo-Confucianists in poetry creation.The Donglin School in the late Ming Dynasty actively implemented this idea in poetry creation and integrated the aesthetic values of"Wu Yu Dian Ye"and"Yuan Fei Yu Yue"in the poetries through various ways,which demonstrates the inheritance of the aesthetic tradition of Pre-Qin Confucianism and Neo-Confucianism of Song and Ming Dynasties.

Donglin School"Wu Yu Dian Ye""Yuan Fei Yu Yue"Aesthetic

渠嵩烽

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上海大学文学院

东林学派 吾与点也 鸢飞鱼跃 审美

国家社会科学基金重大项目教育部人文社会科学研究青年基金

19ZDA25823YJC751023

2024

社会科学
上海社会科学院

社会科学

CSTPCDCSSCICHSSCD北大核心
影响因子:1.04
ISSN:0257-5833
年,卷(期):2024.(2)
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