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中国古代小说"观画"批评及其理论价值

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"观画"活动伴随"绘画"创作而生.所谓"观画",意为观看或观赏绘画,既包括观看绘画之形美,又包括观赏绘画之功能神韵,由此生发出"如画""似真""若活"等审美体验.宋代以来,随着"观画"活动的进一步普及,许多文人将诗文"观画"批评引入小说批评,并以各种"观画"评语赞美小说作者以画为稗的"画家笔意"和"巧艺",或赞赏小说文本的"画境感"及其"妙感".相比而言,小说"观画"批评更加重视小说叙事写人之画法、画理评说,尤其是其"如画"美感评说不再仅仅指向相对表象化的"形美",而更多地指向内在灵动的"神韵美".对其进行梳理和探究,有助于当今中国式叙事学、写人学以及审美诗学、审美文化学以及意义学等现代理论方法的建构,具有独特的理论价值.
Criticism and the Literary Theory Value of"Viewing Paintings"in Ancient Chinese Novels
The activity of"viewing paintings"emerged with the creation of"painting".The so-called"viewing painting"means to observe or appreciate painting,which includes both the beauty of the form and the functional charm of the painting,thus creating aesthetic experiences such as"picturesque","realistic",and"lifelike".Since the Song Dynasty,with the further popularization of"painting observation"activities,many literati introduced poetry and prose"painting observation"criticism into novel criticism,using various"painting observation"comments to praise the"painter's brushwork"and"skillful art"of the novel author,or to appreciate the"artistic conception"and"wonderful feeling"of the novel text.In contrast,the criticism of"viewing paintings"in novels places more emphasis on the techniques of narrative writing,painting theory,and criticism.Its aesthetic evaluation of"picturesque"beauty no longer only points to the relatively superficial"beauty of form",but more to the diverse and dynamic"beauty of spirit".It has unique theoretical value for the construction of narrative ology,character writing,aesthetic poetics,aesthetic culture,literary semantics,and other theoretical methods that are localized in China today.

Painting in Barnyard Grassthe Way of Observing PaintingsArt Scene CommentaryPicturesque Viewing Experiencethe Value of Literary Theory

李桂奎、侯小丽

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复旦大学国际文化交流学院

山东大学文学院

稗中有画 观画之道 艺境评说 "如画"观感 文论价值

2024

社会科学
上海社会科学院

社会科学

CSTPCDCSSCICHSSCD北大核心
影响因子:1.04
ISSN:0257-5833
年,卷(期):2024.(11)