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论审美境界

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境界是中国美学的一个重要范畴,但学界对于它的含义一直争论不休.境界的基本特征是本真、超越与自由.因为心灵之真,所以能照亮自己与世界;因为超越感官和知识欲望,所以能会通万物,天人合一;因为与物无对,所以能获得一种精神体验的自由.从一定意义上可以说,中国古代美学的发展历程就是从物象、意象到意境、境界的嬗变过程.这是一个从物到心、从主客二分到超主客二分的发展过程,境界的关键就在于它诉诸心灵创造幻化出来的、系乎一心的精神体验超越一切有限性.我们可以通过明月和扁舟两个形象充分理解境界的这一特点.
On the Aesthetic Realm
Realm is an important category in Chinese aesthetics.However,there are many debates about its meaning in the academia.The basic characteristic of realm is:authenticity,transcendence and freedom.Due to the authenticity of mind,it can illuminate itself and the world;due to the transcendence of the senses and the desire for knowledge,it is able to understand all things and unite heaven and man;due to no opposition to things,it can gain the freedom of a spiritual experience.In a certain sense,it can be said that the development of ancient Chinese aesthetics is a process of transmutation from the object image,image to poetic imagery,realm.This is a developing process not only from ob-ject to mind,but also from subject-object dichotomy to super-subject-object dichotomy,and the key to the realm lies in the fact that it is created and visualized by the mind,which transcends all the limitations.Through two ima-ges of bright moon and open boat,we can fully understand this characteristic of the realm.

李昌舒

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南京大学文学院

境界 审美 扁舟 明月 天人合一

国家社会科学基金重大项目南京大学新时代文科卓越研究计划项目

21&ZD068

2024

社会科学辑刊
辽宁社会科学院

社会科学辑刊

CSSCICHSSCD北大核心
影响因子:0.578
ISSN:1001-6198
年,卷(期):2024.(5)