世界建筑2024,Issue(2) :32-36.

主人与景——《寓山注》中的"主人"叙事与明末园林的审美化转向

The Master and His Scene:Narrative of"the Master"in Notes on Mountain Yu and Aestheticization of Late-Ming Gardens

朱琳
世界建筑2024,Issue(2) :32-36.

主人与景——《寓山注》中的"主人"叙事与明末园林的审美化转向

The Master and His Scene:Narrative of"the Master"in Notes on Mountain Yu and Aestheticization of Late-Ming Gardens

朱琳1
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作者信息

  • 1. 爱丁堡大学;东南大学建筑学院
  • 折叠

摘要

本文通过考察明末祁彪佳的寓山写作,揭示了文本中一种特别的主人视角的叙事.主人将"景"设置为特定的时空框架,主观上制造了"景内"与"景外"的分野,而其本人可以在二者之间穿梭.本文通过关注"景"所代表的观看方式,呈现对园林"主人"之"主"的一种理解,并讨论明末园林总体上被客体化和审美化的倾向.

Abstract

This paper examines late-Ming scholar-official QI Biaojia's writing on his private garden Mountain Yu,and reveals a special narrative of the Master of Garden in the text.The master sets the"scene"(jing)as a specific temporal-spatial frame,thereby subjectively creating a distinction between"inside"and"outside"the scene,in which he can transit between the two on his own.Therefore,with a focus on the"scene",this paper presents a profound understanding of the"mastership"of the master,and further discusses the general trend of late-Ming gardens to be objectified and aestheticized.

关键词

寓山/"景"/奇观/参与式观看/园林的审美化

Key words

Garden of Mountain Yu/"scene"/spectacle/participatory spectatorship/aestheticization of gardens

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出版年

2024
世界建筑
清华大学

世界建筑

影响因子:0.18
ISSN:1002-4832
参考文献量38
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