The cultural ideology and mentality of scholars in the Yuan Dynasty share the"isomorphism"of an inherent aesthetic with the Wei and Jin Dynasties.The spirit of Wei and Jin Dynasties is also formed in the inheritance and contemplation of Laozi and Zhuangzi's thought of"marvelous sage gives up wisdom".In this context,Ni Zan,on the one hand,inherits the spiritual tradition of"morale"from the Wei and Jin Dynasties;On the other hand,while inheriting the artistic style of Ma Yuan and Xia Gui's"minimalist"painting,he not only separates the near scene from distant mountains,but also isolates the viewer's sensory experience,highlighting the dilemma of life"abandoned"in the world,forming an aesthetic style of"desolation and grieved bleakness".This style is Ni Zan's spiritual and ideological continuation of Laozi and Zhuangzi's thought of"absolute sainthood and abandonment of wisdom"and"abandon form discard wisdom",and thus complete the connotation of"ancient meaning"and the aesthetic speculation of"simple form and rich meaning".
关键词
绝圣弃智/倪瓒/山水画/美学思辨
Key words
absolute sainthood and abandonment of wisdom/Ni Zan/landscape painting/aesthetic speculation
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