首页|博物馆虚拟文创产品设计美学研究——以敦煌文创和故宫博物院文创为例

博物馆虚拟文创产品设计美学研究——以敦煌文创和故宫博物院文创为例

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数字技术是博物馆文创创新的动力源泉.在数字化背景下,敦煌文创和故宫博物院文创除了发掘实体文创产品的创新以外,还通过"数字技术+文化"的创新形式,衍生出一系列与当下潮流融合的多维度数字文创,突破了博物院本身所受到的空间性限制,拓宽了博物院文化的影响边界.本文通过对敦煌文创和故宫博物馆文创审美价值的分析,研究数字化背景下博物馆虚拟文创所体现的设计美学思想.本文结论为,利用博物馆文化为内核,密切联系数字化背景,利用技术创新驱动发展,融合实体与虚体,从而实现文化传承与创新的目标.
Research on the Aesthetics of Virtual Cultural and Creative Product Design in Museums--Taking Dunhuang Cultural Creations and Palace Museum Cultural Creations as Examples
Digital technology is the power source of cultural innovation in museums.Under the background of digitization,Dunhuang and the Palace Museum have not only explored the innovation of physical creative products,but also derived a series of multi-dimensional digital creativity integrated with the current trend through the innovative form of"digital technology+culture",which breaks through the spatial limitation of the museum itself and broadens the influence of the museum's culture.This is a breakthrough in the spatial limitations of the museum itself and a broadening of the influence of museum culture.This paper analyzes the aesthetic value of Dunhuang creativity and the creativity of the Forbidden City Museum,and studies the design aesthetics embodied in the virtual creativity of museums in the context of digitization.It concludes that the museum culture is used as the kernel,closely linked to the digitalization background,the use of technological innovation to drive the development,and the integration of the entity and the virtual body,so as to achieve the goal of cultural inheritance and innovation.

digital technologyvirtual cultural creationtraditional culturecultural innovationmuseums

贺琦、张媛

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武汉工程大学,武汉 430205

数字技术 虚拟文创 传统文化 文化创新 博物馆

2024

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ISSN:1672-9129
年,卷(期):2024.(15)