唐卡中的圣救度母绘画与女性成佛观
Painting of Divine Salvation Tara in Thangka and the view of women becoming Buddhas
刘子玉1
作者信息
摘要
佛教在传到中国的过程中不断被本土化,形成了特有的中国佛教文化.隋唐大一统时期,佛教美术经过藏族工匠之手融入到他们的作品中,佛教美术作为佛教教义的重要载体,唐卡绘画中也蕴含着藏族的民族特色,结合藏民信仰创作出的圣救度母等绘画作品体现了女性成佛观的影响.
Abstract
Buddhism has been continuously localized during its transmission to China,forming a unique Chinese Buddhist culture.During the Sui and Tang Dynasties,Buddhist art was integrated into their works by the hands of Tibetan artisans.As an important carrier of Buddhist teachings,Buddhist art also contained Tibetan national characteristics in Thangka paintings,which combined with Tibetan beliefs to create paintings such as Holy Salvation Tara,reflecting the influence of female Buddhas.
关键词
唐卡/度母/女性成佛观Key words
Thangka/Tara/female Buddhaview引用本文复制引用
出版年
2024
NETL
NSTL
万方数据