时尚设计与工程2024,Issue(5) :53-55.

符号学视角下的唐宋时期宝相花纹样图像解析

Analysis of Tang and Song dynasty Baoxiang flower pattern images from the perspective of semiotics

姜君臣 陈一军
时尚设计与工程2024,Issue(5) :53-55.

符号学视角下的唐宋时期宝相花纹样图像解析

Analysis of Tang and Song dynasty Baoxiang flower pattern images from the perspective of semiotics

姜君臣 1陈一军1
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作者信息

  • 1. 上海理工大学
  • 折叠

摘要

宝相花,作为中国传统文化中的经典纹样之一,由于佛教的传播而流入中国,随着与本土文化的融合发展,逐渐演变为中国传统纹样之一.本文以符号学中,索绪尔能指与所指理论为视角,深入探究了中国传统纹样之一的宝相花.通过唐、宋2个时间阶段的划分,从图像的能指和所指2个方面对其进行分析研究,为宝相花纹样的设计运用提供理论基础.在未来的设计实践中,期待能够更好地发扬宝相花文化的精髓,为设计领域注入更多的创造力和文化价值.

Abstract

As one of the classic patterns in Chinese traditional culture,the Baoxianghua,which was introduced into China due to the spread of Bud-dhism,has gradually evolved into one of the traditional Chinese patterns with the integration and development of the local culture.Saussure's the-ory of energy and reference in semiotics was taken as a perspective to explore the Baoxianghua,one of the traditional Chinese patterns.The image in terms of its referential and denotational aspects was analyzed and researched through the two time phases of Tang and Song to provide a theo-retical basis for the design application of Baoxianghua pattern,and expects to better carry forward the essence of Baoxianghua culture in the future design practice,and to inject more creativity and cultural value into the field of design.

关键词

宝相花纹/设计符号学/传统纹样

Key words

Baoxiang flower pattern/design semiotics/traditional pattern

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出版年

2024
时尚设计与工程

时尚设计与工程

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