From"Nothing"to"Something":Experimental Poetics of Che Qianzi's Poetry
Stemming from a yearning for a pure and open aesthetic,Che Qianzi exhibits a strong awareness of language style and a spirit of poetic experimentation:the poet emphasizes the construction of poetic language through formalist aesthetics,forming a distinctive characteristic that belongs to himself.He intentionally creates poetry with multiple meanings and a spiritual"presence".To this end,he has conducted a series of explorations on"non-poetry",striving to retouch the essence of objects in a transcendental space,endowing them with the possibility of recombination,extension,and even subversion of meaning,in order to break through from inherent contents and concepts.To restore the freedom of language,Che Qianzi attempts to fully mobilize various symbolic elements of the Chinese language in an open experimental environment,achieving the"presence"of the mother tongue to realize the"existence"of poetry.His poetic inventions or stylistic experiments have largely continued the avant-garde spirit of poetry since the 1980s and have transformed and presented this spirit in the current literary scene,giving the concept of"avant-garde"the possibility of growth again.
Che Qianzicontemporary poetrynon-poetrymother tongueexperimental poetry
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