"明式座椅"视觉符号中的礼仪思想探析与设计实践
汪玥1
作者信息
摘要
中国自古被称为"礼仪之邦",明式座椅的设计对人的体态和仪态起到了约束的作用.文章基于符号学的理论剖析了"明式坐具"视觉符号的构成元素,通过点、线、面、体、料、序六个方面论述符号和礼仪的转译关系,并将明式座椅的礼仪思想总结为人伦理念和修身观念两种.结合平面设计的审美需求探索中式礼仪文化现代化传播的创新途径,对明式家具文化和礼仪文化传播与发展具有实际意义.
Abstract
China has been known as the"land of etiquette"since ancient times,the design of Ming style chairs has played a restrictive role in human posture and deporment.This article analyzes the constituent elements of visual symbols for"Ming style chairs"based on the concept of semiotics.It discusses the translation relationship between symbols and etiquette from six aspects:point,line,surface,body,material,and organization.The etiquette of Ming style chairs are summarized into two types:ethical concepts and self-cultivation concepts.Exploring innovative ways to modernize the dissemination of Chinese etiquette culture based on the aesthetic needs of graphic design has practical significance for the dissemination and development of Ming style furniture culture and etiquette culture.
关键词
明式座椅/视觉符号/礼仪文化/平面设计Key words
Ming style chairs/visual symbols/etiquette culture/graphic design引用本文复制引用
出版年
2024
NETL
NSTL
万方数据