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苗族蜡染梨花纹样在陶瓷文创产品中的创新设计应用

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苗族蜡染纹样在中国少数民族民间文化中有着重要的地位,兼具设计美学和实用价值.以梨花纹为例从中提取造型元素,并对蜡染纹饰进行文创产品的平面设计再创造,使得古老手工蜡染工艺摆脱原有的呈现形式,通过文创应用的方式为其带来新的生命力,并为苗族蜡染文化的传承与发展提供参考.
The Miao ethnic group's batik patterns occupy an important position in the folk culture of ethnic minorities in China,embodying both design aesthetics and practical value.Taking the pear blossom pattern as an example,we extract its modeling elements and re-create the graphic design of the batik decoration for cultural and creative products.This process allows the ancient handicraft of batik to break away from its original presentation form,bringing new vitality to it through innovative cultural and creative applications.The study provides references for the inheritance and development of the Miao ethnic group's batik culture.

Miao ethnic batikpear blossom patternmotif designceramic cultural and creative

张利娜

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天津美术学院

苗族蜡染 梨花纹 图案设计 陶瓷文创

2024

丝网印刷
中国丝网及制像协会 北京市印刷技术研究所

丝网印刷

影响因子:0.061
ISSN:1002-4867
年,卷(期):2024.(20)