Vernacular:A new historiography study on the literary and histor-ical interpretation and landscape reconstruction
The Imperial Concubine Yang,namely Yuhuan Yang in Tang dynasty,who repeated-ly appeared in numerous poems,literature,history and paintings during and after her life,was first an ordinary person,an outstanding artist with abundant posture and quality,good at singing and dancing,and fluent in melody;secondly,she was a concubine who could not help herself,hoped to meet and move up the meaning.Whether sigh or curse,as a cultural symbol,the Concubine Yang had more pointed to everyone lingering and yearning for"love".Throwing away the trap of narrative poetics of literature and history,which is dominated by the Concubine complex of love and hate,the appearance of ordinary people and artists of the Concubine Yang would come out.As a shared con-sumption object of elegance and vulgarities,the relics of the Imperial Concubine are also divorced from the patent attributes of the Emperor Xuanzong of Tang.Her tomb and the sock,which she lost in Mawei and led to visitors vying for the look,just liked sacred objects made Mawei a holy place,but also supported the princess in overseas to settle down in the"wild history".Paradoxically,when tourism has become a way of life today,Mawei has become a"non-Lieux"that no longer has a sense of belonging,relationship and history.So,Culture is only the collision,blending and dialectic be-tween emotion and reason of different action subjects in the continuum of history-geography,the inter-growth and mutual promotion of the abstract and the concrete.
new historycommon peoplecultureNon-LieuxGu Jiegang
NETL
NSTL
万方数据
维普
