首页|江户理学诗学向格调诗学的转关:室鸠巢诗学思想析论

江户理学诗学向格调诗学的转关:室鸠巢诗学思想析论

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江户前期日本诗坛以理学诗学为主流,朱子学派执掌诗坛,注重诗歌的教化功能.江户中叶,随着明代诗学的影响,格调派渐次成为日本诗坛之主调,儒学大家、杰出汉诗人室鸠巢的诗学观念虽亦主张"文以载道""文随道至",有着较浓厚的理学特色,但他开始强调"诗文分体",长于辨析文体,重视诗法诗艺,表现出"文"之自觉的取向,呈现出格调派诗学的特色.他的诗学思想较集中地反映了江户理学诗学向格调诗学的转关,考察这一诗学个案有助于厘清、勾勒江户诗学发展流变之轨迹.
Transformation from Edo Neo-Confucian Poetics Towards Gediao Poetics:A Study on Muro Kyūsō's Poetics
In the pre-Edo period,Japanese poetry was dominated by Neo-Confucian poetics,and the Chu Hsi School was in charge of poetry,highlighting the edifying function of poetry.In the mid-Edo period,with the influence of the poetics of the Ming Dynasty,Gediao School gradually became the mainstay of Japanese poetry.The Confucian scholar and outstanding Han poet Muro Kyūsō also advoca-ted the poetic thoughts of"Literature is for conveying the Tao"and"Literature follows the Tao",which had strong characteristics of Neo-Confucianism.But he began to emphasize the thought of"Sepa-ration between poetry and prose",was good at analyzing literary styles,and attached importance to po-etic techniques and artistry,which demonstrated a self-conscious orientation towards"literature",pres-enting the characteristics of the poetics of Gediao School.His poetic thoughts reflect the transformation from Edo Neo-Confucian poetics towards Gediao poetics,and a study of this poetic case helps to clarify and outline the trajectory of the development of Edo poetics.

Edo periodMuro KyūsōNeo-Confucian poeticsGediao School

周葵葵

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湖南师范大学 文学院,湖南 长沙 410081

江户时代 室鸠巢 理学诗学 格调派

湖南省教育厅重点项目

23A0043

2024

邵阳学院学报(社会科学版)
邵阳学院

邵阳学院学报(社会科学版)

影响因子:0.655
ISSN:1672-1012
年,卷(期):2024.23(2)
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